Book by Paul A. Krieger
'King,' they said, trying out the word, 'Osro is King. 'Now, stand up,' Osro said. 'Take me to Susan's door. You are my hands and I am your head. Soon O will be ours.' For Susan and Nick the adventure at last seems at an end. They are leaving the magical land of O, the scene of The Halfmen of O and The Priests of Ferris. But even as they prepare to step back to Earth, strange and evil forces reach out to ensnare them. For Susan and for the Motherstone there is one final, frightening task. Motherstone is the last thrilling book in Maurice Gee's saga of the world of O.
From award-winning author Nick Earls and illustrator Terry Whidborne comes the book that tells you everything you wanted to know about being a word hunter – and more! Lexi, Al, Mursili, Will and Caractacus are back! This exciting book from the successful team behind the Word Hunters trilogy is packed with never-seen-before word hunter history – with new characters, new word quests,new adventures and all the behind-the-scenes information you have ever wanted to know about the words that make up the language we speak. Bonus: Book includes ‘top secret’ content accessed via the Layar app!
Nine step-by-step drawing tutorials. Learn to draw lifelike animals, people, faces, everyday objects, horses, cats, wolf, portraits with graphite pencils. The book is written and illustrated by the recognized fine artist Jasmina Susak, whose unique drawings are popular around the world. Since the author is a self-taught artist, the reader can read about personal experience, clear and friendly instructions that everyone can follow. This book - featuring more than 70 illustrations - is recommended for the beginners and intermediate artists.
Included in Speaking Freely are, as Nat Hentoff writes: "My lives as a radical (according to the FBI); an 'enslaver of women' (according to pro-choicers); a suspiciously unpredictable civil-libertarian (according to the ACLU); a dangerous defender of alleged pornography (according to my friend Catherine MacKinnon); an irrelevant, anachronistic integrationist (according to assorted black nationalists); and, as an editor at the Washington Post once said, not unkindly--'a general pain in the ass.' " Continuing the story that began in his widely praised Boston Boy, Nat Hentoff in Speaking Freely guides us through more than forty years of his life in journalism, a career as various as his passions, and follows our social history from the civil rights and antiwar movements to the most incendiary battles (such as abortion) of the present day. Hentoff first evokes New York in the fifties, when he wrote for the jazz magazine Down Beat and came to know some of the most talented jazzmen of all time--Duke Ellington, Thelonious Monk, Charles Mingus, and Dizzy Gillespie, to name only a few. He looks back to his apprenticeship under George Seldes and I. F. Stone, two unyieldingly independent journalists whom he credits with charting his direction in the field. And he recounts his associations with a wide array of Americans, from Malcolm X, who was a friend, to Louis Farrakhan, who has labeled Hentoff "the Antichrist" ; from Adlai Stevenson to John Cardinal O'Connor; and from the "utterly singular" editor of The New Yorker, William Shawn, to uncelebrated heroes far afield from Manhattan and Washington. As a staff writer for the Village Voice and a syndicated columnist for the Washington Post, Hentoff has gained a reputation as one of the nation's most respected, uncompromising, and controversial writers on civil liberties and on the difficult issues and wide-ranging forms of injustice manifest in our age. Written with deep honesty and affection, and rooted in music, politics, and the press, Speaking Freely is a memoir as candid, opinionated, and provocative as any American journalist has ever offered.
This classic history of woman's oppression is one of the first attempts to document the sad legacy of injustice and discrimination against women, which is unfortunately inseparable from the history of both Christianity and the evolution of the Western state. Beginning in the pre-Christian era, where she finds more evidence of freedom for women than in subsequent eras, pioneering women's rights advocate Matilda Joslyn Gage traces the patterns of male domination in both church and state that kept women in virtual bondage. Among the topics of her research is the medieval exaltation of celibacy as an expression of the male belief that women were unclean and the cause of original sin, the gross discrimination against women in canon law, abuse of women in the feudal system, the persecution of women as witches, the virtual slave status of wives and their almost total legal subjugation to their husbands, toleration of polygamy, the debilitating drudgery of woman's daily work, and the widespread opposition to women's education by both church and state. Perhaps the most farseeing and radical of the early feminists, Gage had the vision to realize that society's fundamental institutions had to be drastically reformed before women would begin to enjoy equal rights. Many of her concerns sound very modern: she deplored the unequal treatment of the prostitute vs. her client, the practice of non-conviction or of pardoning in rape trials, unequal pay, wife battering, the sexual abuse of female children, and many other abuses that only today are being seriously addressed. Originally published in 1893, this work was the fruit of twenty years of research and should be read by everyone who supports equality between men and women. This new edition is complemented by an introduction by renowned author, lecturer, and historical performer Sally Roesch Wagner, who helped found one of the country's first programs in women's studies. She is executive director of the Matilda Joslyn Gage Foundation.